Thursday, November 13

Giorgio Morandi (Italian, 1890–1964)
Still Life (Natura morta), 1956
Oil on canvas; 9 7/8 x 13 7/8 in. (25.2 x 35.2 cm)
Yale University Art Gallery

Just back tonight from seeing the Giorgio Morandi exhibit at the Met. The show had a curiously dim, unassuming air, consistent with Morandi's reputation as a modest (and dusty) man, but in many ways the exhibit absolutely exceeded my expectations. At one point I became aware that I was faintly whimpering with some barely suppressed emotion...and I only realized it because some other show-goer gave me an alarmed look and stepped away smartly! ;-) Oh well. I wandered through the show several times (eventually the friends I was with got bored and went on ahead to lunch) and I would have happily stayed longer.

But we were due in Chelsea to drop off some paintings for the December group show at Sherry French Gallery. I felt a little dizzy later, sitting in Sherry's, discussing show cards and inventory though I had just sledded top speed down a high mountain.

Nancy Bea Miller, Creamer, Cake, Coffee, 2008,
oil on canvas laid to board, 9 x 12 inches

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