Hi. I'm a painter, a writer and a mother of three teenage sons, one with a severe disability. This is a journal: riotously disorganized, full of art, food, children and everyday domestic events. Unless you are a friend or family member you may not be interested, but you are welcome to look. Artists who are parents may find some common ground here, as well as parents of children with special needs. For art only, see my site: nancybeamiller.blogspot.com
Sunday, May 7
BRIDGES
A Sunday runner takes a break under one of the many beautiful bridges on the Schuylkill River. We often take a family bike ride around the river drives. I am the slowest member of the group, always bringing up the rear. Mostly because I can't help leaping off my bike every few miles to take pictures. These are known as "Mom's little pit stops." and everyone is very accustomed to the drill.
Of course, what I REALLY wish is that I could paint here at the river. But there are so many people, a constant stream in every direction. I did try it once, but there were way too many people coming up to chat and telling me all about their great-uncles who paint, their sister who paints, their best friend from high school who paints etc etc. Although I know people mean it only as a friendly bridge to conversation, from the perspective of the captive audience (the painter), the dozens of such tales of talented relatives can become a little discouraging over the course of a two hour painting session. As well as just being distracting. My favorite type of spectator is one who pauses quietly behind me at a little distance, then moves off murmuring "Lovely!" or some such kind comment with no expectation of engaging in conversation.
However, if you avoid a crowded scene and try to paint in a secluded spot there are safety issues to consider. You are pretty vulnerable really, standing there alone, concentrating on something in the distace. A friend of mine was out painting in a fairly deserted area when a group of teenage boys with pit bulls stopped by and shook her down for money. She only had a dollar or two so there was a lot of threatening and macho posturing before they moved off to another victim. Scary. I was also out painting that day, but had chosen a spot closer to a more public area. I had seen the gang of boys and dogs in the distance. So you kind of have to choose, safety or interruptions?
Once when I was painting at Olana I had the very best kind of spectator. Someone kept coming back quietly to watch me paint several quick views of the river. Then when it became apparent that I was starting to clean up my gear they stepped forward and asked to buy one of the paintings. Now THAT was a real compliment.
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